When scouring the local Blockbuster with another avid movie-addict I know, it's almost an impossible task to find a DVD both of us haven't seen. After scanning the shelves for a good thirty minutes or so, Samantha picked up "Funny Games". Now it seemed like a very unusual name for a movie, especially after reading the disturbing synopsis on the back, but we decided to give it a go under the notion that if it was a bad movie, that would be the last time she chose a movie with me. Harsh? Maybe, but it was all in good fun. (Incidentally, I picked the worst movie of the night so I'll keep that bit quiet).When you read of a movie which has been re-released under the same name, by the same director (Michael Haneke), it should raise alarm bells with questions such as: Was it not successful the first time? Is someone that creatively challenged that they need to copy their own work?
However, after some research the original (1997) was an Austrian-release, compared to the new U.S. version starring surprisingly Naomi Watts (from The Ring). This surprised us due to the seemingly very low budget of the film, with fairly unknown actors involved aside from her, yet almost convinced Sam and I to rent it, rather than leave it on the shelves to collect dust.
IMDB indicate that the production crew used the blueprints from the original movie to create a shot-by-shot remake, including using the same proportions for the set of the house in 2007 as that of the set in 1997.
The movie is intended to represent how media influences violence in society, where a white, middle-class family are subjected to horrendous torture (both psychological and physical) and violence in the form of a "game" by two young visitors at the family's remote holiday home by the lake. The subject of this film is one that director Michael Haneke is quite passionate about.
Naomi Watt's performance is superb, as are all of the actors, with Tim Roth making a very convincing husband. The cold-hearted ruthlessness of Michael Pitt and Brady Corbet, leave a spine-tingling, shuddering concept of the capabilities of youths of today, possibly influenced through the media, and the whole concept of the movie. There are numerous scenes leaving you on the edge of your seat, including one with Devon Gearhart (the son of Watt's and Roth in the movie), wondering what exactly is going to happen next, like that of a Quentin Tarantino movie.
I must warn you that this is not your average slasher movie, and is edited in a very unique way. This includes characters communicating between themselves and the viewer. Some scenes like this may come across as confusing in the wider context, however this could simply be put down to the director who aims to provide an experience different to one that a viewer has ever experienced before, whilst succeeding at doing so.
The following trailer indicate the style of movie explained, but don't let the light-hearted soundtrack fool you:
I've rated this movie 7/10 and I highly recommend it for anyone who wish to be left shocked, disturbed and confused by the end credits. To give you an idea of the kind of movie it is claimed that during the film's screening at Cannes in 1997, it shocked the audience so badly that many viewers and film critics alike, walked out of the screening itself.
Very few movies leave you speechless and unable to comprehend the brutality they just witnessed, so the director can be credited on this. All I know is, that if anyone ever rings my doorbell mentioning their aunt sending them to fetch some eggs... I know where I'll tell them to go. (I'll also lock up my house, carry a knife in each hand, and hide in my locked room)... Sound a bit extreme? Then watch this movie...enough said!
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